Hoa Pham

Thursday, August 25, 2005

identifying as asian-australian

I've been discussing the on line journal idea with Tom and Tseen and both of them mentioned that there may be artists that would not label their work or see their work fitting in to the Asian-Australian niche/category or whatever you would call it. I guess I think about Quan Yeomans who is Vietnamese-Australian and Regurgitator is a mainstream band. I'm so used to being labelled a Vietnamese-Australian writer that I've internalised it somewhat. Also in my work it often has a Vietnamese protaganist or issues involved. It didn't used to be like this, I had written some science fiction and fantasy work in my late teens that didn't involve ethnicity. Anyhow it's something new to think about.
I just read from Margaret Atwood's Negotiating the Dead and she says once you are a known writer then you cannot be invisible anymore. People stick labels on you and maybe project masks on to you that you cannot remove. That's maybe where my politicisation comes from in a way, I have only had to question my identity in regards to my face as a public writer when I am asked questions about it frequently. I also think it might be why authors have second novel syndrome they have to overcome whatever is projected onto them from the first novel and try and become invisible again to write the second book (if this is possible).

2 Comments:

  • hi hoa

    you have said some really interesting things here (it's especially interesting how you link margaret atwood's idea of 'visibility' to second novel syndrome).

    re: your statement that "people stick labels on you and maybe project masks on to you that you cannot remove"... this reminds me of something a friend recently said to me. he basically said that being a racialised minority means that one's "identity is over-ascribed" (that's how he eloquently put it)... basically, it suggests that some people will always see you in particular ways. this isn't to say that the writer doesn't hold some power over their identity. i have had a few conversations with people about this. (ultimately, i guess the individual can effect the most change over how they are perceived within their smaller, social circles - eg amongst friends, family, colleages... 'communities'.)

    one of the lessons i have taken from identity politics is that visibility can certainly come at a cost. i think this is why i have enjoyed some of the freedom i have gained as a writer in changing my name and identity


    tom

    By Blogger Tom, at 11:07 AM  

  • hi tom

    yes I think visibility does come at a cost and it's good to hear you have gained some freedom with your change of identity. I like the idea of being "over ascribed" I think that's right in terms of the expectations people have if you are visibly Asian.

    Cheers Hoa

    By Blogger Hoa, at 8:46 PM  

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